![]() You can use any value within each range to get what you want – for example, value 20 on CC#31 will switch to CLEAN, while 100 will switch to ULTRA.ĬC# 052, meanwhile, gives you direct access to the switching the Modulation FX on or off. Therefore, values from 0 to 31 will give you the ability to directly access the Clean Channel at any time the Crunch Channel is on 32-63, Lead 64-95, and Ultra 96-127. The GrandMeister 36 has four channels, so the range of available values (128) have to be divided by 4 to get the range of values for each channel. That means that, if you want to switch to 1 Watt for a rhythm part without leaving your preset, you can do it! The many possibilities are yours to explore. This is for you if you want to be in a preset, but directly switch your Boost, Delay, Modulation FX or Power Soak settings in and out without changing presets. MIDI foot controllers like the Hughes & Kettner FSM 432 MK III, the Rocktron All Access, Custom Audio Electronics RS-5, or any sequencing software like Apple Logic, Steinberg Cubase or Pro Tools are examples of products that will allow you to directly access the GrandMeister 36’s various functions. Some of them are standard, like CC #007, which always controls Volume on any MIDI device, or CC #001, which always controls the level of modulation.Įach function on the GrandMeister 36 is assigned to a dedicated MIDI CC#. There are 128 different continuous controllers available (#001 to #128). ![]() A continuous controller (CC) is a MIDI message that can transmit 128 different values (from 0 to 127). ![]() You can even access every single switching function within a preset with the help of so-called MIDI continuous controllers. Switching presets is only half of the story, though. Part 1: Let´s start with the basics – direct access to all switching functions The Hughes & Kettner FSM 432 MK III MIDI Board is ideal for controlling the MIDI functions on your amp. For many guitarists, MIDI put an end to dancing on several stomp boxes to switch from your rhythm to your solo sound – and vice versa. At a touch of a button, you can change the channel of the amp and the effects program on your external effects device simultaneously. It’s mainly used to send note messages that trigger sounds from another instrument – in most cases, on stage and in the studio, from a keyboard or sequencer to a sampler or sound generator.Īnother great feature of MIDI is the opportunity to switch sounds by the use of so-called program changes, which is the main feature for guitar players. MIDI was originally invented by synthesizer companies for keyboard players, and it changed the way music is produced dramatically. Here, we use the GrandMeister 36 as an example of the possibilities MIDI offers you as a live player. Have you always wanted to be able to rock all your different guitar tones on stage without having to resort to tap dancing on your pedal board as you try and switch between sounds on the fly? If so, MIDI – or Musical Instrument Digital Interface, to use its full name – could be the way forward.
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